{"id":613,"date":"2014-02-17T12:35:17","date_gmt":"2014-02-17T11:35:17","guid":{"rendered":"http:\/\/www.agustinbarahona.com\/blog\/?p=613"},"modified":"2014-02-17T12:35:17","modified_gmt":"2014-02-17T11:35:17","slug":"mahler-symphony-no-9-adagio-claudio-abbado-mahler-jugendorchester-youtube","status":"publish","type":"post","link":"https:\/\/www.agustinbarahona.com\/blog\/mahler-symphony-no-9-adagio-claudio-abbado-mahler-jugendorchester-youtube\/","title":{"rendered":"Mahler Symphony No 9 &#8211; Adagio, Claudio Abbado Mahler Jugendorchester &#8211; YouTube"},"content":{"rendered":"<p>No hay tal ruptura de la tonalidad en esta obra de Mahler. Simplemente utiliza modulaciones constantes de tonalidad por reinterpretaci\u00f3n de grados, pero los ejes de gravedad y referencia de la tonalidad son clara y permanentemente perceptibles.<\/p>\n<p><a href=\"http:\/\/www.youtube.com\/watch?v=yqRiq8uny3o&amp;feature=youtu.be\">Mahler Symphony No 9 &#8211; Adagio, Claudio Abbado Mahler Jugendorchester &#8211; YouTube<\/a>.<\/p>\n<p><object width=\"425\" height=\"350\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/yqRiq8uny3o&amp;feature=youtu.be\" \/><param name=\"wmode\" value=\"transparent\" \/><\/object><\/p>\n","protected":false},"excerpt":{"rendered":"<p>No hay tal ruptura de la tonalidad en esta obra de Mahler. Simplemente utiliza modulaciones constantes de tonalidad por reinterpretaci\u00f3n de grados, pero los ejes de gravedad y referencia de la tonalidad son clara y permanentemente perceptibles. Mahler Symphony No 9 &#8211; Adagio, Claudio Abbado Mahler Jugendorchester &#8211; YouTube.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[44],"tags":[19,29,41,18,24,30,21,38],"class_list":["post-613","post","type-post","status-publish","format-standard","hentry","category-medioteca","tag-arte","tag-atonalidad","tag-composicion-2","tag-cultura","tag-mahler","tag-musica","tag-sensibilidad","tag-tonalidad"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/posts\/613","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/comments?post=613"}],"version-history":[{"count":1,"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/posts\/613\/revisions"}],"predecessor-version":[{"id":615,"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/posts\/613\/revisions\/615"}],"wp:attachment":[{"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/media?parent=613"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/categories?post=613"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/tags?post=613"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}