{"id":9425,"date":"2023-09-05T22:08:38","date_gmt":"2023-09-05T21:08:38","guid":{"rendered":"https:\/\/www.agustinbarahona.com\/blog\/?p=9425"},"modified":"2023-09-06T16:48:28","modified_gmt":"2023-09-06T15:48:28","slug":"la-desubicada-musica-vanguardista-en-el-siglo-xxi","status":"publish","type":"post","link":"https:\/\/www.agustinbarahona.com\/blog\/la-desubicada-musica-vanguardista-en-el-siglo-xxi\/","title":{"rendered":"LA DESUBICADA \u00abM\u00daSICA VANGUARDISTA\u00bb EN EL SIGLO XXI."},"content":{"rendered":"
\n
\"Dibujos<\/figure>\n<\/div>\n\n\n
<\/span>\"Supuesta
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(ESPA\u00d1OL)<\/h2>\n\n\n\n

\u00abLa as\u00ed mal llamada m\u00fasica <\/em>vanguardista<\/em><\/a> o m\u00fasica experimental<\/em> contempor\u00e1nea tiene muchos problemas acumulados. Uno de ellos es que vive como allanadora de morada<\/a> en un nicho sociocultural y art\u00edstico que no le corresponde. Y simult\u00e1neamente –y por ello–, debido a esa desubicaci\u00f3n propia desorientada y desorientante<\/strong>, est\u00e1 <\/span><\/strong>dejando de constru\u00edr su propio nicho<\/strong><\/span>. El nicho que por derecho propio s\u00ed le corresponder\u00eda. Esto hace que se perjudique diacr\u00f3nica y sincr\u00f3nicamente a s\u00ed misma. Pero tambi\u00e9n hace que a la vez perjudique a los verdaderos due\u00f1os de la casa que ha allanado ocup\u00e1ndola. Due\u00f1os at\u00f3nitos por el atropello hist\u00f3rico socialmente consentido y sin sentido.<\/strong><\/em> <\/p>\n\n\n\n

Para especialistas y personas inteligentes reflexivas es evidente que M\u00fasica<\/em>, Comunicaci\u00f3n Sonora<\/em> y Sonorizaci\u00f3n como arte<\/em> son cosas distintas. Cada una tiene su lugar en el Olimpo creativo s\u00f3lo si sigue su camino sin interferencias. Sin usurpar el camino de las dem\u00e1s extraviando y extravi\u00e1ndose.<\/p>\n\n\n\n

As\u00ed pues, debemos recuperar el norte perdido, as\u00ed como el lugar de cada uno en la realidad. Porque cuando algo significa todo no significa nada<\/strong>.<\/a> Y lo que no significa nada termina por desaparecer, como venimos viendo desde los a\u00f1os setenta del siglo pasado. Esta desubicaci\u00f3n ha beneficiado la m\u00fasica pop<\/a> comercial y da\u00f1ado la verdadera formaci\u00f3n civilizatoria fruto de la Verdadera M\u00fasica.\u00bb<\/p>\n\n\n\n

[Agust\u00edn Barahona]<\/p>\n\n\n\n

\n\n\n\n

(ENGLISH)<\/h2>\n\n\n\n

\u00abThe so-called avant-garde<\/a><\/em> or contemporary experimental music faces numerous accumulated problems. One of them is squatting<\/a> in a socio-cultural and artistic niche that doesn’t belong to it. Simultaneously, due to this misguided dislocation, it fails to construct its rightful niche<\/span><\/strong>. This results in a diachronic and synchronic self-inflicted harm. But it also adversely affects the true owners of the house it has encroached upon. Astonished owners, witnessing this historically allowed and senseless encroachment.<\/p>\n\n\n\n

For specialists and thoughtful individuals, it’s evident that Music<\/em>, Sound Communication<\/em>, and Sound Art<\/em> are distinct entities. Each has a place in the creative Olympus, as long as they tread their paths without interference, avoiding straying or encroaching on others.<\/p>\n\n\n\n

Therefore, we must regain our lost direction and acknowledge everyone’s place in reality. Because when something means everything, it means nothing<\/strong>,<\/a> and that which means nothing gradually fades away, as we’ve seen since the seventies of the last century. This displacement has favored commercial pop<\/a> music and harmed the true civilizational development born from the True Music.\u00bb<\/p>\n\n\n\n

[Agust\u00edn Barahona]<\/p>\n<\/div><\/div>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Reflexiona sobre la desubicaci\u00f3n y sus impactos en la cultura. Analiza c\u00f3mo la falta de identidad puede llevar al declive art\u00edstico social.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[50,34,9,16,8],"tags":[19,36,18,30,42,33],"class_list":["post-9425","post","type-post","status-publish","format-standard","hentry","category-arte-2","category-ciencia","category-escritos-en-facebook","category-humanismo","category-reflexiones","tag-arte","tag-ciencia-2","tag-cultura","tag-musica","tag-politica","tag-sistema"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/posts\/9425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/comments?post=9425"}],"version-history":[{"count":7,"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/posts\/9425\/revisions"}],"predecessor-version":[{"id":9437,"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/posts\/9425\/revisions\/9437"}],"wp:attachment":[{"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/media?parent=9425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/categories?post=9425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.agustinbarahona.com\/blog\/wp-json\/wp\/v2\/tags?post=9425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}